16 June 2005
UPDATE.
Slight update to the news panel design, if you haven't noticed already. It's bigger. I also finally got around to adding automatic CSS photoborders, which means you'll see double borders in some of the older posts.
14 June 2005
MOVIE; MR. & MRS. SMITH (2005).
A perfect husband and wife turn out to be rival contract killers. This flick, touted as an updated, "sexed up" True Lies, fails at every level. You're shocked and baffled, I know. How could St. Brad and Mother Angelina, the two most hyped actors on the planet, stumble? Even as they cast aside their drinkware to passionately smoosh face in some shabby-chic Colombian hotel designed by Anthropologie? And all this action--how did it manage to bore me? The houses erupting in flame, the secret underground cache of weapons, or the cartoonish cat-and-mouse domestic firefight, like War of the Roses but with far more firepower?
After I blinked myself awake in time for the ending credits, I thought to myself: Wow, I haven't seen such pure Hollywood slag in a long time. Like raw sewage refined to a champagne clarity, Smith is merely a string of Hollywood cliches, all drawn without wit, suspense, or surprise. The faux savvy of Mother Angelina's sly Tomb Raider grin betrays her total lack of personality; Pixar's desk lamp has more emotion. St. Brad does the best he can to apply what he's learned from hanging around his blockbuster art-house pals Mr. Clooney and Mr. Soderbergh, barely managing to slip one or two clever words into an otherwise tightly shrinkwrapped script consisting mostly of annoying ball-and-chain banter. "Honeyyyy?!?!" Draw a bead, squeeze a trigger. Ha, ha, ha.
The plot lacks sense, the characters belivable motivation, &cetera &cetera. My favorite parts, meaning my favorite parts to make fun of, were the bizarre couples-therapy sequences spoken directly to the camera a la When Harry Met Sally (but way stupider). Through these sequences Mr. & Mrs. Smith come to the obvious, boneheaded conclusion that marriage requires work. But that's not the point. The point, as we all know by now, is for us to receive instructions from tabloid headlines and then, when the weekend opens its floodgates to legions of hungry consumers, obey.
-- I missed you. -- I missed you too.
13 June 2005
PHOTO DIARY.
 Nicki & I were out in Newport Beach picking up some home furnishing-type stuff (been feathering the nest lately), and we ate dinner at Garlic Jo's, the first American branch of one of my favorite restaurants from my Yokohama days. Since I left my camera at home that day, I can only show you a crappy linked picture to their garlic bread, which alone makes the trip behind the orange curtain worthwhile.
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