30 May 2004
MOVIE: SHREK 2 (2004).
Ogres defend their love against all odds. The gang is back, all animated with some seriously stunning graphics. No, really. Dreamworks must've used the earnings from the first Shrek to double the size of their renderfarms.
Oddly, Shrek 2 isn't one for the kids. The story is a slower, more adult drama. When it does switch abruptly into ha-ha mode, it relies a little too heavily on a cozy, uninspired catalog of movie parodies and modern-day analogies: the magical Kingdom of Far Far Away mirrors Beverly Hills right down to its famous shield sign; a reality cop show entitled "Knights" features suits of armor busting peasants in graffitied alleyways; Gallic script magically glows from Fiona's newly-forged wedding ring (as in Lord of the). In this way, it actually reminded me of the miserable sight-gags in Mel Brooks' toe-curlingly bad Robin Hood: Men in Tights -- although nothing, I mean nothing, could be as awful as that desperate swan-song.
Shrek 2 does deliver here and there, bringing real emotion and real laughs out of the parents in the theater while their children fell asleep. But aside from the show-stealer Puss in Boots, played by the suave Antonio Banderas with a comedic melodrama we haven't seen since The Princess Bride, I found myself most often chuckling out of politeness. Whither lines like, "I'm a donkey on the edge!"? I was rooting for this movie, after all: the original Shrek had so surprised everyone with its inventiveness and heart. This time, however, it seems that there was a little less magic to go around.
Whatever happens, I must not allow myself to cry.
-- Puss in Boots
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