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Where is he now? Renee Magritte is currently taking a break from painting and is now part of IAC's cleaning staff. "He's so damn unknowable," co-workers complain.

 
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PHOTO DIARY.


I forgot to mention that me & Nik went to New York last weekend to visit her friends from Cornell at their house located an hour north of the city near Ossining, formerly known by the less savory name of Sing Sing. Anyhoo. There are trees on the east coast. Real trees -- not the brown featherduster palm trees lining the dusty freeways of LA.


Their house has a clear view of the Hudson River. Nicki's friend's mother died recently, of cancer. So we visited to give support, and ruminate on how drastically life can change when a parent dies. It's something we think about more and more these days.


 
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BOOK: BOBOS IN PARADISE (2000).
What happens when bourgeois pigs and hippies get together to make babies? Bobos, that's what! Bourgeois Bohemians, the subject of this amusing sociological taxonomy-slash-gripefest, are the Bens & Jerrys of the world. The study-hard/play-hard types that hold three ivy league degrees, drive SUVs with "Save Tibet" bumper stickers, or feed their pets only the most premium grass-fed ground beef. Author David Brooks is a pretty damn funny writer, gifted with the ability to write such stick-wagging harangues as this one about travel snobs:

"I suppose you can get by with a little Chinook?" They don't say "I know" such-and-such a language. They'll say, "I have a little Portuguese" or "I have a few of the romance languages, of course," in that faux offhand manner that makes you want to stick the person's head in a vise and squeeze it until their eyes pop out. Unfortunately, few people act on this noble impulse, even though they know that when such a person appears, the Vietnam syndrome is not far behind. This is the psychosis that causes people to steer all their conversations to a single destination: their life-altering trip to Vietnam.

Man. That is some choice, well-written bile. Brooks, with consistently exhilarating brio, covers lots of the mores of this new meritocratic elite, from school, sex, travel, work, and children, to name a few. The work feels less like a book and more like a highly polished collection of rollicking magazine articles--which ain't bad. He saves his big philosophical guns for the end, positing that bobos, in being comfortable with both '60's idealism and '80's ecomonic realism, are spearheading a new, more responsible form of capitalism increasingly founded on creativity and intuition. Even more interestingly, he states that as bobos patch together more and more of their trademark Rules for Living (i.e. political correctness, playdates for children) in an effort to regain some of the stability upended during the '60's, they actually wind up having more in common with their anal-rententive predecessors, the Victorians. Having learned that bohemian ideals of unrestrained anarchy are valuable but impossible to sustain, bobos paradoxically pursue their freedoms quietly and politely, each ensconced in their own personal spiritual bubble customized to their needs.

It only takes a single weekend to read, but when you're done you'll find yourself scrutinizing every Birkenstocks-n-socks-wearing, ponytailed CFO from here to Seattle.

 
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MOVIE: ALONG CAME POLLY (2004).
Here we go again: Ben Stiller plays a skittish risk assessor who falls for a free-spirited neo-bohemian played by Jennifer Aniston. Basically, Along Came Polly is not so much a movie as it is a celebrity vehicle with funny bits sprinkled in here and there. You'll find yourself chuckling through your nose now and then, if only to relieve the disappointment at the total lack of chemistry between Stiller and Aniston. We have the toilet humor; we have the witty, frank discussions between best male buddies that can only take place whilst playing basketball; we have plenty of Those Wacky Jews; and we have the exhausting exercise of animal slapstick, this time in the form of a ferret instead of the usual dog. Although I do firmly believe in the how over the what of a movie, some foods just don't reheat well, and this film may be last-minute evidence that the post-Something About Mary era has slowed to a gentle stop.

Little Polly Flinders
Sat among the cinders
Warming her pretty little toes;
Her mother came and caught her,
whipped her little daughter
For spoiling her nice new clothes.


 
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MOVIE: PAYCHECK (2003).
John Woo tries to re-capture his exhilarating trademark melodrama in this absolute failure of a movie. Ben Affleck plays a brilliant freelance circuit designer who has his memory erased after each job as a sort of futuristic non-disclosure agreement. He never remembers his jobs. After finishing an unusual 3-year gig, he wakes up to find himself running for his life with only a bag of mysterious personal objects to clue him in to his predicament. As it turns out, he's spent the last three years designing a machine that can see into the future; everyone wants it, and only he knows that the machine ultimately causes to global war and extinction. A good plot line, actually. Pity.

Affleck, a sad stand-in for John Travolta, spends the entire film huffing and puffing in a fit of desperate overacting. And Uma Thurman, far too savvy and talented for her role as the damsel in distress, seems almost embarassed even to be standing near him. Many weapon rounds are fired; many things blow up. In the end, not even Woo's white pigeons in slo-mo flight can save this monumental dung pyramid. See Broken Arrow or Face Off instead.

Remember the Future.

 
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